I’m an artist (models and tack) and a collector and I’ve dabbled in pretty much all the things model-horse.
A selection of Pinball Wizard’s NAN cards, including some of the first given out in 1994 at Western Regional Congress in Las Vegas, NV, and a set earned in 2024 at Canyons and Caballos in Los Angeles, CA. It’s neat to see how the cards have changed too!
There’s not much of it on the surface - really it ended up as just an armature. The ears and the maybe the cheeks are the only parts where the Hartland plastic reaches the surface.
The Hartland TB that the head came off of is in a body box somewhere, with a narrowed Stock Horse Stallion head on it. Not sure why that happened, most likely it’s the classic Seemed Like A Good Idea At The Time. Maybe someday I’ll finish it!
One of each mold is a pretty realistic goal! I also am a total sucker for palomino, especially glossy palomino.
Glad to help!
Thank you! I really love this scale and want to try to put together some good performance in this size, with a rider too. I have some 1/18 scale figures that may work with some modifications, though this size, you have to get things right to the millimeter for it to look right.
Today is the last day to get your projects registered or take advantage of the special deals!
Another view, with the curb strap installed as a test fit (before keepers and tongue trim). A challenging aspect of this bridle was getting the fit exactly right to fit the buckle above the eye and still have room for the ear piece to connect.
It’s tiny! Here you can see the off side.
The curb straps with keepers and buckles (figured I’d make an extra now while I was at it).
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The two cheek pieces. The tooling effect was created just by drawing the pattern gently with this needle punch.
The bridle is made of tooling calf and the hardware is from Rio Rondo.
Hi! Glad you enjoyed the interview! And welcome!
What a gorgeous piece! I don’t think I’ve seen one before. Amazing find!
Still trying to decide what to do for mine. Something simple I’m sure to finish? Or something more complex that I need to finish?
Possibly some tack for my new Bronnamor resin by Eva Rossiter.
Mlem is a Lemmy app that just got a big update, potentially worth a try also.
Glad to have you here! And I enjoyed our discussion yesterday!
Exciting news from Stone that they are now sponsoring a prize drawing for anyone painting a Stone body.
For sure! Supply availablity and all the amazing tutorials out there. Even just high quality images of other people’s work that has pushed the envelope of what is possible. ❤️
What a cool collection you have there! Thanks for sharing!
I have a DAH mule on the way, my first Stone in maybe two decades. Really looking forward it!
I was asked in another space about what I meant when I talked about string. Literally, a judge would place a maybe 1 foot (25cm) long piece of string or yarn over the top 15 or so models they were interested in placing, and ask for the others to be removed, so that the top horses would have more room for a close examination. The string might also be placed near or under the horse if a string over the back was problematic. Some shows have also used pennies or another marker, generally a marker you’re not meant to keep.
If you look at the classes in the post, the whole table is filled to the center and there’s no way to closely examine the center models for flaws or to really appreciate them. Removing the extra horses meant all the contenders could be seen and considered. This was especially important in spaces that aren’t aggressively lit.
Today we rarely tolerate models having to be in the center of a table at all, and we use oblong 8’ card tables in larger spaces. We also split classes much more aggressively - and no one offers a “stallions” class any more that would attract so many entrants.